Another one to categorize under 'digression.'
I was flipping through some channels tonight and came across an advertisement for a new ABC show. The advertisement used a number of snippets from various media outlets that would offer TV reviews (e.g., People, EW.com, etc.), but it also had some comments from Twitter users (but they were presented the same way regardless of the source). I assumed that the Twitter users were associated with some better known critic site but then I visited @JJJbaybay's Twitter feed to find out that he is a regular student with no discernible credentials that would warrant interspersing his review among "legitimate" ones. I have nothing against Mr. Johnson, I'm simply searching for a reason for his inclusion in this television ad and neither his profile nor his 66 followers offer any explanation (also, he was one of three or four Twitter users, but his was the most memorable name of the bunch and they went by quickly).
It is one thing to incorporate social media in areas that aren't traditional sites for social media (e.g., primetime news, newspaper journalism, politics, movie/tv reviews, etc.), but I think it is a bit weird that anyone with a Twitter account and a concurring opinion can me counted as equals among established entertainment outlets. Social media gives everyone with internet access a voice, and that kind of empowerment can be a really good thing - but should all those voices speak as loudly on all subjects?
The internet has already created a place where WebMD has become a legitimate substitute for a doctor and Wikipedia is the primary source of information; in other words, it has subverted traditional notions of authority. Obviously WebMD and Wikipedia offer more important information (and are therefore more strictly moderated) than a TV review snippet - but I'm still worried that at some point all that a person will need to be considered a legitimate authority in certain areas is an internet presence, and with more people signing up for social media sites everyday, that seems a scary prospect.
Showing posts with label Twitter. Show all posts
Showing posts with label Twitter. Show all posts
Tuesday, September 27, 2011
Monday, September 19, 2011
Quick Quote
“Each medium, like language itself, makes possible a unique mode of discourse by providing a new orientation for thought, for expression, for sensibility.”
“A person who reads a book or who watches television or who glances at his watch is not usually interested in how his mind is organized and controlled by these events, still less in what idea of the world is suggested by a book, television, or a watch” – AOD pgs. 10-11.
Like Walter Ong and Marshall McLuhan before him and Nicholas Carr well after him, Postman suggests that the mediums with which we interact restructure the way we think (though, in fairness, it isn't a necessary point for him; see pg. 27). Furthermore, those things we encounter daily present a picture about reality or a worldview which is rarely met with critical engagement. So to bring up the example from my last post: what idea of the world, or less generally, what idea of American political theory is presented when policy is discussed in 140-word Tweet? I think that our President’s Twitter presence is meant to communicate more about our President than it is to disseminate information, but what is the communicative effect on the millions of followers who read political theory accommodated for the Twitter-verse?[1]
[1] It should go without saying that I am in no way appraising the politics of our President. He is a product of our culture and found himself in a technological turning point that almost demanded he broadcast himself on YouTube and have a Twitter account. At this point I’m still just interested in the form/content discussion.
Amusing Ourselves to Death - Part 1
A lot of conversations among the laity about digital media and their cultural consequences seem to inevitably reference the prophet-like Neil Postman and his seminal work, Amusing Ourselves to Death (AOD). I have read scholars in both the academic and popular arenas whose works borrow substantially (and explicitly) from Postman. As I continue to work through AOD I can see why Postman is continually referenced, but I also see a need for a bit of nuance that involves more than simply updating and reapplying Postman’s principles for digital
mediums/technologies and cultures as they exist 25 years after AOD was published.
Postman begins his work by suggesting that Las Vegas is the living metaphor for the United States. We are an entertainment-obsessed culture that demands that all forms of information be disseminated through entertaining mediums. Television provided a means by which everyone with a television (or an inviting neighbor who had one) a chance to see the presidential debates. Apparently this is the first time that politics could be corrupted by an entertainment-oriented medium (as if pamphlets and speeches could not reduce the serious business of politics to a silly spectacle). Because everything and everybody has embraced this entertainment model, Postman suggests that Americans (in particular) are on the verge of
amusing themselves to death.
An important point that Postman makes, and one that I think demands some thought as we interact with new media in today’s culture, is how forms determine and limit content. He argues that smoke signals, for example, aren’t equipped to communicate philosophy – “its form excludes the content” (7). He also suggests that since most political discourse happens on television that political philosophy (which isn’t amenable to digital media) takes a back seat to a candidate’s appearance since the language of television is largely visual and not typographical.
While Postman can sound like script-favoring luddite at times, I do wonder how much thought goes into our current uses of technology and how they alter or supplement a message simply by design. What is the rhetorical effect that a campaign speech has when it is broadcast on YouTube as opposed to printed in a political pamphlet or newspaper? Since Postman makes mention of it, what are the chances of an overweight politician becoming President now as opposed to when Taft ran for office? It seems that mediums necessarily act rhetorically insofar as they shift emphases (which they accomplish by design). A news story on television is often told with the reporter on scene and the oral “text” of the story provides a background narrative for the images which rule the day in a visual medium. The same story told on NPR or in the New York Times is going to necessarily rely less on images because of their limitations.
As I continue to think about new media and the growing world of social networks I think it is important to look at the forms these technologies take and content that users fill them with. Should we simply take a pragmatic stance on the form/content discussion or is there an ethical component to our technology usage? I often wonder how appropriate a space like Facebook is for serious conversations when it is designed to be in constant flux and indiscriminately mixes news with Farmville scores. Is Twitter going to be the next space for formal policy debates? President Obama[‘s social media staff] has weighed in on political issues in less than 140 words before, but in that case does the content match the form? Is that even a question that needs to be asked? I think it is.
Subscribe to:
Posts (Atom)